• Announcing our 2024 Flathead River Writers Conference

     

    Red Lion Hotel, Kalispell, Montana

    October 4-6, 2024

     

    October 4 Workshop with Keir Graff - $125

    October 5 and 6 Conference - $190

     

    Student Discount and Single-Day Passes Will Be Available

    Registration for Members will open around April 20

    (Members will receive an email when registration opens)

     

    Presenters

     

    Author/Editor Keir Graff - 4.5 hour-workshop, Friday, Oct. 4

     

    Capture Readers with Conflict

     

    Good writers use conflict to capture readers’ attention—great writers put conflict on every

    page. Editor and author Keir Graff shares straightforward techniques everyone can use, in

    every kind of narrative writing, to punch up plot lines, create more fascinating characters,

    and make dialogue sing. (Handouts provided; bring up to five sample pages of your own

    work for sharing.)

     

    Full Conference October 5/6

     

    Keir Graff

     

    Secrets of a Working Writer

     

    Some full-time authors are household names with #1 New York Times bestsellers and

    National Book Awards—and then there are the rest of us. Join novelist, children’s author,

    ghostwriter, and editor Keir Graff for an inside look at how one working writer makes it

    pay.

     

    Tales of a Fifth Grade Hero

     

    What is middle-grade fiction and how do you write it? How do you sell, publish, and

    promote it? In this informative and inspiring presentation, veteran middle-grade author

    Keir Graff (The Poison Puzzle, with James Patterson) shares the rewards of going back to

    grade school.

     

    Author Debra Magpie Earling presentations

     

    Keynote: Wonders of the Landscape: One writer’s journey

     

    We all possess connections to places both real and imagined that ignite our sense of

    wonder. In this lecture Debra Magpie Earling will explore how our personal lives can

    intersect with our personal geography and become part of a greater mythology.

     

    The Dark Door Opens

     

    What elements of fiction conjure a curious alchemy that haunts us after we close a book?

    How might we use our own unusual experiences to ignite our fiction? In this workshop

    we’ll explore the phenomenal stories that surround us. Be prepared to share an uncanny

    story, a spooky hometown legend, or a time when something strange occurred. We will use

    the grist of your stories to write convincing prose. Bring a sense of humor and an old-

    fashioned notebook to scribble your ideas. Come with the notion that writing is fun, and

    spooky.

     

    Elements of Conjuring Story

     

    Do you ever wish you had a few more ingredients in your writing cupboard to conjure a

    more effective story? Could you use some additional ideas that might make your characters

    and scenes turn from mundane to mesmerizing? In this workshop, we’ll examine a few

    essential ingredients that will help make your stories shimmer.

     

    Agent Joanna MacKenzie

     

    Finding and Working with an Agent

     

    Finding the best champion for your work can be,

    well, a lot of work. In this session we’ll talk about the query process, what to do when an

    agent offers representation, and how to make the agent-author relationship a fruitful and

    profitable one.

     

    Revise Like a Pro

     

    Learn what’s going through an agent’s mind when they’re reading your

    manuscript and then how to help yourself be the best editor of your own work. We’ll talk

    about the questions agents ask themselves when considering a new project, how to revise

    according to feedback and why killing your darlings is sometimes the best thing to happen

    to your story.

     

    Author Kathy Dunnehoff

     

    10 Hacks of the Successful Writers

     

    Writers are generous in sharing what works for them in their writing process. Why not

    enjoy our collective genius? Get the tips we could all use to make the job of writing more

    productive, more fun, and even more successful.

     

    The Story Bible

     

    You’d think writers would be good at paperwork, but that collage of sticky notes on our

    desks may illustrate we’re not. Why not create a system to track ideas, information about

    characters, plotting, and even future marketing plans? There are multiple ways to do it, and

    you can choose the best fit for you.

     

    Author Maggie Doherty

     

    From Ideas to Publication: the Path to Creative Freelance Writing

     

    The newsroom isn’t the only location to share the latest stories or pen noteworthy op-

    eds. Freelance journalism offers writers an opportunity to explore their interests, land

    exciting bylines, and develop relationships with editors at your favorite publications. This

    workshop offers an introduction to freelance journalism from pitching to publication in a

    variety of outlets, from local to national.

     

    Author Leslie Budewitz

     

    Mystery Genres and The Cozy Market

     

    From darkest noir to light and humorous, mystery and crime fiction is a wide-ranging

    genre. We’ll review the distinctive subgenres, then focus on one of the most popular, the

    cozy---the comfort food of the mystery world. What’s the appeal, what are the key elements

    and trends, and how can you make yours stand out?

     

    Setting the Scene in Fiction

     

    The most compelling stories take us somewhere, introducing us to places we’ve never been

    or giving us a new view of familiar ground. We’ll look at what makes a place come alive on

    the page, whether it’s the main location for your story or a side trip. We’ll dive into the

    emotional connections between people and places, and look at how your choices as a

    writer can create characters and plot so deeply integrated with setting that the story could

    take place nowhere else.

     

    Author Carl Stevens

     

    Technical Writing Doesn't Have to be Boring

     

    Using creative writing principles and techniques, attendees will have a hands-on

    experience in ‘punching up’ technical, professional and business writing. Course goal is to

    give students the tools to ensure that their messages leap off the page and offer the best

    chance being read and understood.

     

    Agent Zoe Howard

     

    Pitching Boldly: Agent and Publicist on Angling Books

     

    “Do you want to read a book with this energy?” Every writer eventually has to pitch their

    book, whether in a query letter to agents or to independent booksellers. Join literary agent

     

    and book publicist Zoe-Aline Howard for an inside look at how agents and publicists pitch,

    with practical tips for getting noticed, without veering too far from the formal.

     

    DIY Publicity for the Indie Author

     

    What is “DIY publicity,” and how can you make it work for your indie book? In this hour-

    long session, Pine State Publicity book publicist Zoe-Aline Howard surveys the state of

    book publicity, answers questions about working with an outside publicist (when to bring

    one on, where to find one, and what they can do for your book), and offers insight into

    building your own publicity campaign.

     

    Author Danica Winters

     

    The Romance Genres and Market

     

    Danica Winters helps you get your love, your desires, on paper. While geared to the

    Romance genres, this workshop is pertinent to anyone who includes relationship and

    romantic attachments in their writing.

     

    Hook, Line, and Sinker: Getting Attention and Sustaining the Momentum

     

    In this fun and informative hands-on course, we will break down what it takes to create a

    strong hook for agents, editors and readers. Bring (or have access to) your current H.I.P

    (hook in progress) so we can focus on what is working, what needs a tweak, and what will

    make your work stand out in the market.

  • Our 2024 Writers Conference Presenters

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    Our Moderator and Presenter - Kathy Dunnehoff
     
    Kathy is a National Bestselling women's fiction & romantic comedy novelist
    with the ability to bring writing and life together with insight and humor. After more than
    three decades of teaching creative writing at the college level, she’s begun a series of
    friendly writing guides: Hello, Writer! The first one, published in February 2024, will help
    you Plan to Have Your Best Writing Year Ever!
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    Keynote Presenter - Debra Magpie Earling

     

    Debra is the author of The Lost Journals of Sacajewea (Winner of the 2023 Montana Book Award) and Perma Red. Her numerous recognitions include the Western Writers Association, the American Book Award, and grants
    from the National Endowment for the Arts and the John Simon Guggenheim Memorial
    Foundation. She retired from the University of Montana, where she was named
    professor emeritus in 2021. She is published through Milkweed Editions. She is
    Bitterroot Salish.

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    Keir Graff

    Keir is the former executive editor of Booklist. He writes fiction for adultswith Linda Joffe Hull under the pen name Linda Keir (The Royal Game) andmiddle-grade mysteries with James Patterson (The Poison Puzzle). He isalso the editor of A Million Acres: Montana Writers Reflect on Land and OpenSpace and the coeditor of Montana Noir. He shares writing advice andreading recommendations in his free monthly newsletter, Graff Paper. https://keirgraff.com/

     

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    Leslie Budewitz

     

    Leslie is a three-time Agatha Award winner and the best-selling author of the Spice Shop mysteries, set in Seattle, and Food Lovers’ Village mysteries, set in NW Montana, where she lives. As Alicia
    Beckman, she writes moody standalone suspense, including Bitterroot Lake and Blind Faith. Leslie is a past president of Sisters in Crime and former board member of Mystery Writers of America. Find her online at www.LeslieBudewitz.com

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    Maggie Neal Doherty

     

    Maggie is a writer, opinion columnist, and book critic. As a freelance features writer,her work has appeared in The Guardian, Washington Post, LA Times, Field and Stream, High Country News, Montana Quarterly, and more. She also writes “Facing Main” for the Flathead Beacon and is the book critic for Flathead Living Magazine. She lives in Kalispell with her husband and two children.

    maggienealdoherty.com@MNealDoherty

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    Zoe-Aline Howard
    Zoe is a literary agent at Howland Literary, and a book publicist at Pine State Publicity, a full-service publicity firm that supports writers and publishers who may seem traditionally peripheral in the larger publishing landscape. She holds a BFA with Distinction and Publishing Certificate from the University of North Carolina Wilmington, and has had the privilege to work across publishing with several entities, including independent press Lookout Books.
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    Joanna MacKenzie

     

    Joanna MacKenzie is a Sr. Agent with Nelson Literary Agency, where she represents authors writing for both the adult and children’s markets across all areas of fiction. She is drawn to vivid, engaging writing and is particularly interested in high-concept thrillers (with a soft spot for speculative and anything that challenges tropes), voicey mysteries, dark academia, stories that straddle genres, and women’s fiction where the personal intersects with the world at large - if any of these are set in the Midwest, all the better. Across the board, she’s looking for works that highlight under-represented voices. Her authors are New York Times bestsellers, Edgar and Anthony Award nominees, and critically acclaimed storytellers. You can learn more about her list at nelsonagency.com

     

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    Carl Bond Stevens 

     

    Carl is a ‘recovering’CPA. After a twenty-year business career, he earned an MFA in Writing andLiterature from Bennington College. Since then, he has worked extensively in organizational diagnostics, forensic consulting and analytical writing; his client base ranged from small entrepreneurial startups to Fortune 100 multinational firms. He has taught technical and business writing at community colleges in Montana and Alaska. Recently, he has completed two novels.

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    Danica Winters

     

    Danica is a bestselling author known for her award-winning books that have sold over one million copies, and have earned her bestseller's recognition from Publishers Weekly, Nielson Bookscan, Walmart, and Amazon. Beyond her writing career, Danica wears multiple hats in the literary world: Business Director and Co-Owner of Self-Publishing Services, a women-owned company that focuses on the author's goals at the core of
    production; Published Author Network Advisor for the Romance Writers of America; Guide for Pen 2 Paper mentoring aspiring writers; Guide for Paper to Polished, which helps authors refine their manuscripts,ensuring they shine brightly before publication.

    When she’s not immersed in the world of words, Danica can be found in the wilds of Montana where she is usually in the woods hiking or on the river fly-fishing. Her personal philosophy is simple: the cup is neither half full nor half empty—she likes hers filled with Titos. Danica is represented by Jill Marsal of the Marsal Lyon Literary Agency, LLC. http://www.danicawinters.net/

  • Here's our schedule:

     

    Friday, September 29


    10:00 am – 4:30 pm
     

    With lunch break on your own
     

    Limit: 25 Participants

     

    The Craft and Business of Memoir and Narrative Nonfiction Writing


    What makes a memoir compelling to read? What makes a publisher say “yes” to publishing
    a memoir? As a literary agent, Julie has worked with many writers and publishers over the
    years to develop compelling and saleable memoirs – from Senator Jon Tester’s memoir to
    Ryan Busse’s memoir Gunfight and many other books of narrative nonfiction and essay
    collections. In this workshop, Julie will share her thoughts on what tools writers can
    employ to write a saleable memoir or work of narrative nonfiction and how to keep a
    reader's attention from start to finish. We will look at craft elements such as story
    structure, narrative tension, scene and character development, the use of composite
    characters, how writers approach the “truth” of memories. We’ll also talk about the
    importance of a writer's platform and how writers can develop a platform. We will take an
    in-depth look at the nonfiction proposal and discuss what elements editors expect to see
    when a proposal lands in their in-box.

     

    Saturday, Sept. 30
     

    8:00 - 8:25 AM - Opening and Welcome with Kathy Dunnehoff


    8:30 - 9:20 – Mark Sullivan Keynote Address: Writing from the Heart Not the Head
     

    Sullivan will chronicle how he moved from writing from the head to writing from the heart
    and how that has made all the difference in his career.


    9:30 - 10:30 – Glenn & Barbara Schiffman: Moving From Page to Stage


    Sharing book excerpts, short stories, poems or true-life essays out loud at book signings or
    storytelling events is a different experience than when your words are read silently on the
    page. Learn easy ways you can be more confident and engaging as a writer-speaker when
    presenting your work to audiences by using listener-focused editing tools and simple
    performance skills.

     

    10:45 - 11:45 – Zach Honey: Suspense in Story Telling
     

    A deep dive into the nature and definition of suspense and a discussion on how to use it to
    serve and strengthen your story.
     

    Noon - 1:15 – Lunch Break (lunch is not provided, many restaurants nearby)
     

    1:15-1:30 – Dr. Erika Putnam: Easy Neck and Shoulder relief for Writers
    A group mini class to stretch your writing muscles and focus on the health of your neck and
    shoulders. Participate, feel good, and gain helpful tips.
     

    1:30 - 2:30 – Mark Sullivan: The Power of Intent and the Pursuit of Mastery in a Long
    Writing Career
     

    Sullivan will detail how writing with a specific intent in mind changed his outlook and his
    success. He'll also talk about why the pursuit of mastery versus book sales make all the
    difference in a writing life that spans decades.


    2:45-3:45 – Chris La Tray: Observation and the Daily Practice
     

    Silence and observation are key to the creative process, particularly writing. This 60-
    minute workshop will discuss the practice of observation and transferring it to the journal
    ... even if only one sentence at a time.
     

    4:00-5:00 – Mark Leichliter: Envisioning Revision
     

    The writer Leich Bardugo said, “I think the hard work of writing is just how long a book is
    terrible before it's good.” Revision is how we get from terrible to good, and it’s where we
    spend most of our time as writers. Revision starts with RE-VISION, re-seeing the
    manuscript, learning to listen to it, asking the right questions of it. This workshop will give
    you more tools for learning how to “re-see.”

     

    Sunday, Oct. 1

     

    8:30-9:30 – Zach Honey: Query Letters and Book Proposals

     

    A step-by-step discussion for creating all the material you'll need to catch an agent's eye including the query letter, synopsis, elevator pitch, and log line. Additionally, how to write a pitch for your non-fiction concept, and the differences between the two submission processes.

     

    9:45-10:45 – Chris La Tray: The Writing Life

     

    How teaching workshops and saying yes to opportunities – combined with a reasonably
    successful newsletter and a refusal to ever give up on a book – has enabled writer Chris La
    Tray to make a living as a writer.
     

    11:00-12:00 – Julie Stevenson: Literary Fiction
     

    What are the differences between literary fiction, upmarket fiction and commercial fiction?
    Literary agent Julie Stevenson will discuss the many ways in which the publishing industry
    categories fiction, what she looks for when taking on literary and upmarket fiction, and
    how a writer can develop understanding for what niche best fits their work.
     

    12:00-1:00 – Catered Lunch
     

    1:00-1:20 – Dr. Erika Putnam: Back Pain Relief for Writers
     

    A group mini class to relieve your backside and reduce the strain of prolonged sitting.
    Recommended and taught by a chiropractor. Engage in safe movements and learn
    preventative self-care for your back.
     

    1:30-2:30 – Mark Sullivan: Relying on Your Body and Your Mind to Write with Deeper
    Meaning
     

    In a lively "hands-on" class, Sullivan will show how adopting certain body positions can
    trigger the mind and heart to write with deeper meaning and more impact.


    2:45-3:45 – Julie Stevenson and Zach Honey: Navigating Publishing


    A brief overview from both presenters followed by open questions from conference
    participants.


    4:00 - 5:00 - Julie Stevenson and Zach Honey: First Impressions


    One page of an anonymous manuscript is read out loud with instant feedback from the
    panel.


    Other activities:


    Fifteen-minute author visits with Agent Stevenson or Agent Honey (limit 12 each)

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    Sat & Sun Conference attendance

    Sat & Sun Conference attendance

    $190.00
    If you are one of the first 12 registered, you can make an appointment with Agent Joanna MacKenzie or Agent Zoe Howard. If you are one of the first 8 registered, you can make an appointment with Editor Keir Graff. Email your choice to Craig at craigtnaylor@gmail.com
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    Friday Workshop with Keir Graff

    Friday Workshop with Keir Graff

    $125.00
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    Sun attendance only

    Sun attendance only

    $100.00
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    Sat attendance only

    $100.00
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    Full-time Student attendance

    Full-time Student attendance

    $60.00
    If you are one of the first 12 registered, you can make an appointment with Agent Joanna MacKenzie or Agent Zoe Howard. If you are one of the first 8 registered, you can make an appointment with Editor Keir Graff. Email your choice to Craig at craigtnaylor@gmail.com
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    Authors of the Flathead Annual Membership

    Authors of the Flathead Annual Membership

    $60.00
    Members get:

    A.) Access to weekly meetings, including lectures, workshops, open readings, and write-ins.

    B.) Early access to our conference.

    C.) Access to critique groups.

    D.) Free assistance formatting their book for independent publishing.

    E.) Invites to get-togethers including a holiday party.

    The group is a non-profit. Dues also help pay for operating expenses and support writing in the community by sponsoring writing competitions for students.

    Note: You can pay online OR fill out your information (name, email address, address) and pay by cash or check at the next meeting.
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